| GREAT EXPECTATIONS |
by Charles Dickens |
| Adaptation |
Jo Clifford |
| | |
|---|
| Conceived and Directed by |
Graham McLaren |
| Set |
Robin Peoples |
| Costume |
Annie Gosney & Graham McLaren |
| Lighting |
Kai Fischer |
| Original Score |
Simon Slater |
| Sound |
Matt McKenzie |
| Estella Couture Elements |
Giovanni Bedin for House of Worth |
| Make-up |
Ian Bartholomew |
| Masks |
Gavin Glover,
Totzi Godinez de Dios |
| Jewellery |
Christopher St James |
| Millinery |
Megan Bearup |
| Wigs |
Lorraine Mcinerney for Big Wig |
| Casting |
Morag Arbuthnott - EH7 Casting |
|
| General Managers |
Julian Stoneman Associates |
| Production Manager |
Paul Hennessy
for The Production Desk |
| Marketing |
JHI - Jo Hutchison International |
| Graphics |
Nick Warren - N9 Design |
| Press & PR |
Emma Holland PR |
| National / International Tourism |
Jonathan Mountford - made |
| Education |
Suzy Graham Adriani, Helen Prosser
for Cactus Productions,
Sophie Watkiss for JSW Creative |
| Accessible Programming |
Russell Aldersson |
| Company Stage Manager |
Ba Penney |
| Deputy Stage Manager |
Charlotte Padgham |
| Assistant Stage Managers |
Luke Ross Cobb |
| Staff Director |
Phil McCormack |
| Costume Supervisor |
Fizz Jones |
| For House of Worth |
Clara Schiavo (So Sisters),
Felicia Shah |
| Mr Nivison and Mr Ellis Costumes |
Karen Smith
Asst: Lara Bradbeer |
| Production Photography |
Alastair Muir |
| Stills Photography |
Jaap Buitendijk |
| Prop Making |
Will Gaskill, Marise Rose |
| Production Sound Engineer |
Ken Hampton |
| Technical Sound |
Chris Tindall |
| Lighting Programmer |
Ollie Boustead |
| Production LX |
Jonathan Hill |
| Production Carpenter |
Lez Moore |
| Flame effects |
Laurence Harvey |
| Set built & painted by |
VisualScene |
| Sound Equipment supplied by |
Autograph Sound Recording |
| Lighting Equipment supplied by |
White Light |
| Accountants |
Anderson Pennington |
| Lawyers |
Clintons Solicitors |
| | |
|---|
| Interns |
Corey Lewis, Akash Mehta |
|
